Susanllewellyn's Blog

February 14, 2010

What Kind of God Do You Think You Are? Atum (5)

Remember that flaky basket hieroglyph we saw last time?  Well here’s an even flakier one.  Atum’s next title, nb ‘Iwnw, neb Iunu, Lord of Heliopolis, begins at the bottom of one column and continues at the top of the next:

Yes, those random black marks underneath nb t3wy are all that is left of another basket sign.  The three symbols at the top of the left-hand column form the word ‘Iwnw:

Don’t worry about the curly think snapping out like a frog’s tongue i n pursuit of a fly; that’s just the curly bit on the front of the Red Crown of Lower Egypt, which Atum is wearing in the picture.

We’ve had two of the hieroglyphs in this group before (sort of), but the first one is new:

 ‘Iwn, Iun.  It’s a pillar with a tenon, or tongue for inserting into a slot, on the top; part of the mechanism for locking the pillar into the structure of the roof.  This picture of columns at the Ramesseum will give you an idea:

 It’s another easy to draw sign; a tall, thin rectangle with a v neck, and a short stroke (or, sometimes, a cross) inserted into the v, and a line about halfway or two thirds of the way down, marking the border between the different colours with which the pillar is painted. 

We’ve had the second hieroglyph before, but lying on its side and standing on one foot – a real contortionist of a sign.  It’s the little water pot which formed part of the word wcbt, wabet, pure in the offering formula.  Standing up on its own two feet (but without the feet) it reads nw, nu, reinforcing the n in Iunu and adding the sound u.

The final hieroglyph is the place determinative, a circle with an x in it, representing a town wall and a crossroads, which we’ve seen before in Djedu and Abdju, Busiris and Abydos, in Osiris’ titulary.

So the whole group reads ‘Iwnw, Iunu, the ancient Egyptian name for the cult centre which eventually became know throughout the Greek-speaking world as Heliopolis, the City of the Sun. 

Heliopolis was one of the most important cult centres of ancient Egypt, the site of the first known sun temple and sacred to the solar cult.  The position of the sun was far too important a celestial occupation for just one god.  As well as Atum, the elderly god of the setting sun, there was Harakhty or Horus of the Horizon, god of the rising sun; Khepri, the scarab beetle who rolled the sun across the sky at midday, and the generic sun gods Re, (known to the producers of Hollywood epics as Ra) and Aten, credited with being the god of the first monotheistic religion.  Now that’s job sharing.

According to the ancient Greeks, Heliopolis was the destination of the phoenix, the sacred bird which, when old, flew to the temple of the sun god to burn itself upon the solar altar and rise again from the ashes.  Now it’s mostly buried under Cairo airport, and all that flies in there these days are planeloads of tourists. 

One obelisk is the only thing of any size now visible, but there are others closer at hand depending on where you’re reading this); Cleopatra’s Needle on the banks of the Thames in London and the obelisk in New York’s Central Park both came from Heliopolis.

The origin of the legend of the phoenix was probably the bird known to the ancient Egyptians as the benu bird, a sacred heron associated with the sun cult.  The legend lives on @Bennu on Twitter!

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February 9, 2010

What Kind of God Do You Think You Are? Atum (3)

Ok, let’s roll up our sleeves and get back down there with those hieroglyphs.  We’re working on Atum’s name in this post.  Here it is:

  (‘I)tm Atum

The ‘I or A at the beginning is in brackets because in this spelling it’s not actually written in the ancient Egyptian, although it did sometimes appear.  (In some versions, he has an -w sound at the end of his name:  ‘Itmw.)  That won’t surprise you old Office Hieroglyphs hands, because you know the Egyptians hardly ever write the vowels; what we mostly have are the consonants.  But the name derives from the word tm which meant “complete” or “whole”; as the creator god, Atum contained within himself everything out of which he created the world.

The first hieroglyph in Atum’s name needs no introduction; it’s our old Office Hieroglyphs favourite, the loaf of bread standing for the letter t.  Here, as we’ve found elsewhere, it is only reinforcing the t sound contained in the biliteral sign which follows:

 tm tem

Now this is a new one.  It’s easy to draw:  two parallel lines curving up at the ends, a pair of cross-hatchings at each end, and finally a little loop just below the upward curve.  It’s not quite so easy to tell what it is.  See if you can spot it in this tomb painting:

Well done.  Got it in one, didn’t you?  It’s a sledge.  Right.  Just what you need in the frozen wastelands of the Nile Valley.  And why not?  As I write this, Cool Runnings is on BBC Three, and Ghana is sending a skier to the winter Olympics.  I bet if they’d had sledging in the ancient Greek Olympics, the Egyptians would have swept the medals table clean.

The Egyptians used sledges a lot.  They didn’t have snow (although some of them did encounter it on their travels in the Asiatic lands) but they had lots of wheel-clogging sand, heavy loads to transport, and wooden axles which couldn’t take the strain of chunky basalt statues or massive blocks of limestone, let alone the odd granite obelisk.  Sledges were ideal for transporting heavy weights across the sand, including statues of gods.   This picture shows a gang of hauliers dragging along a the seated statue of a tomb owner lashed to a sledge.  (The statue, not the tomb owner, that is.  The statute is shown at a much larger scale than the men hauling it, because it’s much more important than they are – it’s a representation of the tomb owner, very expensive and very difficult to replace, unlike the workers….)  That explains the cross-lines and the loop at the front of the hieroglyph; indications of the ropes which were used to haul the sledge.

And so on to the next sign: 

What is it?  Nobody knows for sure, but it’s easy to draw; start with the top line, do a blunt, rounded downturn at one end and leave the other end open.  It was pronounced ‘im and it’s reinforcing the m in the biliteral sign tm.  There, that didn’t take long, did it?  Ignorance is much easier than knowledge.

We do know what the final hieroglyph is, though:

It’s a seated god.  We know he’s a god because he’s got long hair and a beard, and he’s modestly swathed in an all-enveloping robe, unlike the short-kilted, bare-armed seated man we met at the end of Office Hieroglyphs.  The way I draw him is to start at the top of his head and make a long stroke halfway down his back, then do a little dog leg inwards to indicate the end of his hair.  Then bring the line down his back and bottom, continue with a straight line across the base, a sharp turn and little slope up for his feet, then a swoop out, up and over for his knees, straight up for his chest, a little wiggle to indicate his face and stick the beard on last.

I don’t need to tell you, because you know from Office Hieroglyphs, that determinatives were not pronounced; they’re only there because the Egyptians didn’t write the vowels, and they needed extra visual clues to tell them which kind of word the consonants were meant to convey.  then they knew which vowels to supply themselves when they read it.

So now you can adapt the offering formula so that your colleague’s gifts come from the god Atum instead of Osiris.  Wow – you’ve doubled your god quota almost overnight!  But Atum without his titles is not much of a substitute for the Lord of Busiris, the Great God, Lord of Abydos.  If you’re going to slot Atum into the offering formula instead of Osiris, you need to slot in his full complement, Lord of the Two Lands, Lord of Heliopolis, the Great God, Lord of the Sacred Land, behind him.  Otherwise he just looks naked.  And you can tell from the all-encompassing robe that he wouldn’t have liked that.  Well, would your chairman?  And, be honest, who really wants to see the chairman naked?

February 8, 2010

What Kind of God Do You Think You Are? Atum (2)

Ok, we’ve admired the portrait.  Now we’re walking down the boardroom corridor, stopping at the Chairman’s office and contemplating the nameplate on his door.  Here it is:

First, a test.  In which direction do you read the hieroglyphs, and how do you tell?  Of course you remember:  hieroglyphs face the beginning of the sentence, so you find one with a face and read backwards.  This lot reads right to left, from the top of the column to the bottom, starting again at the top of the next one.

And Atum’s name plate says:

(‘I)tm nb t3wy nb ‘Iwnw ntr c3  nb t3 dsr

Atum, Lord of the Two Lands, Lord of Heliopolis, the Great God, Lord of the Sacred Land

Pretty impressive nameplate, eh?  It’s pretty intimidating to walk down a corridor and realise you’re outside the office of one of the most fearsome powers in the universe.  (I know the feeling. Once, when I used to have a pass to the less penetrable parts of  the Palace of Westminster, I was ushered down a corridor and found myself passing a door on which the nameplate said “The Prime Minister; the Rt Hon Margaret Thatcher”.)

If you decide Atum is just the god to star in your colleague’s offering formula, then you just take out Osiris’ names and titles from the standard formula: 

and slot Atum’s into their place.  (But make sure they’re facing the right direction – unless you want to make a cryptic stylistic comment on you’re colleague’s character, behaviour, sense of direction or equilibrium on the way home from the party.)

We’ll go through them bit by bit, starting next time.

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