Susanllewellyn's Blog

February 6, 2011

What Kind of God Do You Think You Are? Horus the Elder (2)

Filed under: Uncategorized,What kind of god do you think you are? — Valerie Billingham @ 5:39 pm
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I left you last time round, hand poised over the sorry-you’re-leaving card of a newly redundant colleague, part-way through the offering formula and about to write in the name of the god Horus the Elder, patron divinity of swingeing cuts – except that I hadn’t told you how to spell it.  Sorry about that. You must have terrible non-writer’s cramp by now.  Take a break and flex those aching fingers while I show you which hieroglyphs to home in on. 

You remember Horus the Elder, from his flat-share temple at Kom Ombo; here he is again on the left.  The hieroglyphs which make up his name are these ones, from the right-hand vertical column above his head: 

Heru wer, known to the Greeks as Haroeris, Horus the Elder or Horus the Great. 

Ignoring the  last vestiges of the signs immediately above this group in the relief, the first hieroglyph is the falcon  , transliterated as  originally, but without the w as time went on.  The key to drawing the Horus falcon is to give him curves.  I usually start with the little curved beak, then a rounded head, down the back to the tail, give him some decent feathering around the legs, then bring a curvy wing around to hide his breast, put his feet on and dot his eye.  Everything has to be compact, sleek and rounded for Horus, as in this beautiful relief: 

  The species of falcon which the Egyptians identified with Horus has not been identified, and it’s probably a wild goose chase anyway (no pun intended) as the Egyptians were not that bothered about the finer subdivisions of the Linnaean system of taxonomy – not least becasue it hadn’t been invented then.  But here’s a picture of a real Egytpian falcon anyway: even more beautiful.

The second half of the god’s name is , a stooping old man leaning on a stick.  This is usually the determinative for an old man but it can also be used for a chief or great man, as the village headman would probably be a wise elder – or so one would hope, anyway.  In this case, the latter applies, as it is transliterated wr, “great”.  I usually draw a blob for the head first, then a curve for the back and hips, making him definitely bent with age and not upright as a younger man would be.  Bring the line across for the bottom of his kilt and do a parallel curve up for the front of his body.  Put on matchstick arms and legs, giving the left arm a dangling position and the right arm a sharp v so he can clutch his stick.  The a line across the waist makes his belt.

I have scoured all the sources currently at my disposal for an image of a stooped old man leaning on a staff for you, but without success.  They’re all too upright.  The Egyptians didn’t want to be surrounded by any but fit, active people in th afterlife, and certainly didn’t want to be decrepit themselves.  Sorry.

So there he is:  Horwer, Horus the Elder.  Although the portrait we’re admiring at the moment is from his shared accommodation at Kom Ombo, Horus the Elder was known as “Foremost of Letopolis”, from his main cult centre at the modern Kom Ausim.  We’ll learn how to write that title in the next post.  have a rest now.  Your hand must be killing you.

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January 30, 2011

What Kind of God Do You Think You Are? Horus the Elder

OK.  So far so good.  This is where it gets confusing.  There are umpteen gods called Horus in the ancient Egyptian pantheon.  The most famous one is the son of Isis and Osiris, but that’s not who we’re talking about here.  Horus the Elder is his uncle, the fifth, anomalous offspring of Nut, although under the influence of other Horuses he has been known to be considered the son of Isis.  Well, you know what it’s like when two close family members have the same name.  They answer each other’s calls, open each other’s mail, get arrested for each other’s offences…  To make things worse, both the elder and younger Horuses married a goddess called Hathor.  Imagine what it must have been like in the company mailroom. 

Horus the Elder’s main cult centre was at Letopolis, modern Ausim, a dozen kilometres or so north-west of Cairo. There’s not much left of his temple there now, but there is rather more left of the temple of Kom Ombo in Upper Egypt, where Horus shared his accommodation with a flatmate, the crocodile god Sobek.  Here’s a portrait of Horus from his Nile Valley residence:

Regular readers of this blog will know that the divine company history had always been a turbulent one, even before the arrival of the Children of Nut.  You’ll also remember how ruthlessly the real stories of many attempted – and successful – boardroom coups by each succeeding generation were suppressed by the company founders.  But legends will persist, even in open plan offices. 

 The legend about Horus the Elder is that he owed his seniority to one such attempted coup.  Atum got wind that a faction in the family firm – the names of the guilty have been successfully withheld from the public – was plotting against him.  Atum was getting on in years by now and didn’t feel able to confront them directly, especially as they were his own family and would presumably get to choose his retirement home.  He needed to get a handle on the size of the forces ranged against him, so he sent out a company spy to hang around the water cooler, listen in to the gossip and report back.  We’ve all met them. 

 The spy discovered that eight senior executives and two hundred and fifty-seven of the workforce, backed up by a huge army, were doing nothing but slandering Atum at every water cooler, tea point, restroom and smoking break in the company.  Just as he uncovered this information, the conspirators realised he was a spy and took immediate action:  they stuck out their tongues at him.  This was apparently much more frightening then than it is now – maybe because it was a reminder that the Egyptians used to cut out the tongues of the slain on the battlefield.  Anyway, the spy acted in the time-honoured tradition of snitches everywhere and ran straight back to Atum.

Atum immediately called in company secretary Thoth for high-level counter-coup discussions.  Thoth advised him to choose a high-profile individual to champion Atum’s policies in the workplace.  Atum chose Horus the Elder, put him in uniform, armed him to the hilt and let him rip. The result was a massacre and a flight of the vanquished, some of whom turned into fish and birds to effect their getaway.  Well, even if they’d had company cars then, they’d have had to give them back.  But it was no use:  whatever they turned into, Horus copied, hunting them down and exterminating them wherever they were hidden.  It was worse than a government leak inquiry.  Eventually, though, company order was restored and Horus found himself promoted above his peers for services rendered, becoming “leader of the troops”.  Here he is, not in a portrait this time but in a rather fine bronze, as a Roman soldier:

 

You have to admire Horus the Elder all the more once you know t hat the company champion had battled disability to achieve his excellent performance rating and an enviable promotion. Horus the Elder’s two eyes represented the sun and the moon.  On pitch dark nights when these two heavenly bodies were invisible, the god used to go blind.   On these occasions he was known in the company as Mekhenty-en-irty, “he who has no eyes”.  In his blind form, he swapped his falcon’s head for the head of a shrew, an animal thought to fear broad daylight.  When he recovered his eyesight, he was known as Khenty-en-irty, “he who has eyes”.  At one of Horus’ cult centres, Kom Ombo, the priests commissioned a carving of surgical and medical instruments for the temple wall, in which the eye doctor’s equipment has a prominent place.

Well, it never ends there, does it?  If you promote one of five siblings, the others are bound to feel a certain grievance.  And you have to remember, company grievance procedures were much less sophisticated then.  At any rate, these events were soon followed by a rebellion of the Children of Nut against Chairman Atum.  Horus the Elder had to take up his sword again. 

The rebellion came to a head on board the solar bark.  It was a pitch dark night, Horus the Elder couldn’t see a thing, he was on a mission and he was armed with a sword.  You can imagine what was about to happen.  Horus didn’t let the mere fact of his blindness hold him back; he set about himself with a vengeance, lopping off heads left right and centre.  When the sun came up in the morning, he found that he had decapitated not only half the workforce but a lot of the gods as well.  Talk about swingeing cuts – Horus the Elder was the George Osborne of his day.  The company ship came to a halt – as the crew had been beheaded, that was probably inevitable – one of the four pillars holding up the sky fell into the primeval ocean and the universe stood tottering on the brink of collapse.  (That’s what happens when you implement radical retrenchments too quickly, George – let that be a warning to you.)  Fortunately, the Chairman was able to restore the gods’ heads to their shoulders and, after a kindly but firm word with the junior executives about their future career prospects, Atum was able to effect repairs and the company ship sailed on.

So, if you’re poised pen in hand over yet another leaving card, about to write your offering formula and wondering which god to select for yet another colleague whose job has been axed, Horus the Elder might be the one.  He’d also be good for one of those slash-and-burn types, or salami-slicers of services.  We’ll have a look at exactly how you write him in there next time.

January 29, 2011

What Kind of God Do You Think You Are? The children of Nut

Filed under: Uncategorized,What kind of god do you think you are? — Valerie Billingham @ 8:42 pm
Tags: , , , , , , , , , ,

Now, where were we?  As I recall, we were strolling down the mahogany-lined corridor of the company yacht of the ancient Egyptian gods, admiring the portraits of the founders of the divine dynasty and exploring their place in the company’s history.  We were just about to reach the portraits of the fourth generation, the “children of disorder”:  Osiris, Isis, Seth, Nephthys and their shadowy sibling Horus the Elder.   Here they are:

 

That’s Osiris on his throne with Isis and Nephthys behind him, and that’s Horus the falcon and Seth the we’re-not-sure-what-but-it’s-probably-mythological clapping their godly, supportive hands on either shoulder of the King. 

And what an appropriate time to return to them.  To look at them, as with many children, you’d think butter wouldn’t melt.  However, in the words of the Book of the Dead:

“..what is to be done with the Children of Nut?  They have fomented war, they have stirred up quarrels, they have caused disorder, they have fomented rebellion…”  words which must be echoing around a presidential palace not a million miles from Egypt as I type.

 As far as the senior members of the firm were concerned, the children of Nut had no self discipline and constantly gave in to their worse instincts.    Atum the chairman used to complain about them all the time to Thoth, the company secretary of the gods.  Thoth, who was also the office timekeeper, told him he shouldn’t have to put up with it and he should put a time limit on them:  cut their hours and put them all on fixed-term contracts.

Of course, you can’t curtail junior executives’ terms and conditions without imposing similar or even worse cuts on their subordinates.  Following through the inexorable logic, Atum placed limits on the lifespans of human beings and even on the length of time they could stay dead.  (I’m sure I saw that last bit in the Coalition Plan for Government.)  One day, Atum decreed, you lot, dead or alive, will all go back into the primeval ocean and I can put my feet up and have a snooze.

The older gods blamed the children of Nut for setting a bad example to mankind, leading them eventually to rebel against the rule of the gods themselves.  But that’s another post.

March 28, 2010

What Kind of God Do You Think You Are? Nut (1)

If Geb was the earthy type, his twin sister Nut was the original heavenly body.  While Geb the earth lay under the feet of their father Shu, Nut arched herself over his head as the sky, her hands and feet standing at the four cardinal points:

 Nut formed a vault over the world, stopping malevolent forces from the cosmos from invading Egypt.   The stars travelled over the vault of Nut, and like many other heavenly bodies with star quality, pictures of Nut appeared everywhere, especially on royal tomb ceilings, like this one:

You can see a line of stars painted in blue, running over her shoulder and down her back like a tattoo.  Nut had a tremendous appetite; every dawn, she ate all the stars for breakfast.  Every evening for supper, she swallowed the barque of the sun god when it reached the western horizon.  Every morning, presumably while stuffing her face with the stars, she gave birth to the ship, the god and his retinue, and the whole cycle began again.   The red disks painted along Nut’s body represent the passage of the sun through her inner workings.  The different parts of her body represented hours of the night.  Her lips corresponded to the second hour of night, her teeth to the third, her throat the fourth, her chest the fifth and so on.  Remember, if you’re tempted to snack as much as Nut was:  a moment on the lips, a lifetime on the hips…  But then, everything she ate seems to have passed straight through her.  She doesn’t seem to have digested anything, just like all the other supermodels.

Nut was also a favourite pin-up on coffin lids, where she arched protectively over the deceased, offering the promise of rebirth and eternal life among the stars:

In the underworld, Nut was present as a sycamore fig tree, and provided air, water and nourishment to the departed.

Like certain supermodels, too, Nut wasn’t all celestial sweetness and light.  Occasionally, she could appear as a cow or a pig.  She was known to fight with her brother Geb; in one quarrel, he split her head right open.  No wonder their Dad Shu is holding them apart.  The quarrel was hushed up, though, and no-one was allowed to talk about it, for fear of spreading disorder in the company ranks.

Geb and Nut’s parents, Shu and Tefnut, were the first gods to produce children through sex and, like many parents, decided that the kids at better not know anything about it.  This is another reason Shu is holding them apart.  However, the more you deny them something the more they want it.  You could say that Geb and Nut had a love-hate relationship.  Geb’s passion for Nut did not only manifest itself in violence.  Unable to consummate his lust, he became so frustrated that he resorted to blowing his own trumpet, so to speak.  But Nut’s head did touch the ground at the western horizon.  Geb was able to pass his semen to her secretly through a kiss, and in this way Nut became pregnant.

But that’s another story.  We’ll have a closer look at her name first.

March 27, 2010

What Kind of God Do You Think You Are? Geb (2)

Let’s look at the nameplate attached to the portrait of the third MD of the divine family firm.  Here it is:

Reading right to left, from the top of the column to the bottom, it says:

Gb `it ntrw   Geb it netjeru  Geb, Father of the Gods

Let’s look at his name first:

The first hieroglyph is clearly a bird, and although it’s cursively rendered, there’s something familiar about its face.  What do you mean, you don’t see it?  Have a look at this one:

Recognise him now?  I’ll give you a clue:  last time we met him, it was as a disembodied head.  Ah – got it!  Yes, that’s right, his head had made a sola appearance in Office Hieroglyphs as 3pdw, apedu, fowl, in the list of offerings.  Now we have the whole goose – a white-fronted goose in fact, just like this one:

 Beautiful, isn’t he?  He’s tricky to draw, but worth it.  I usually start with a short horizontal line for his beak, curve up and over for his head, come inwards for his neck and then sweep outwards and downwards for his back, down to the tip of his tail.  The you can return to the base of his beak, draw a flattish line for his chin and swoop in and out again for his neck and breast, pulling the line downwards for his belly and joining up the two lines at the tail tip.  Make a deep curve across his body for the wing, and make the wing tip cut the line of his back.  Then you can put in two short lines of his legs and a baseline for his feet.  A final dot for his eye, and he’s done.

The goose hieroglyph is a biliteral, gb.  The foot hieroglyph which represents the letter b is another old Office Hieroglyphs friend, and is only there to reinforce the b sound already contained in the goose symbol.  Finally, the seated god hieroglyph, familiar from many of our divine corporation nameplates, denotes that this is the name of a god.

 The next group looks straightforward, but, like Geb, it’s a treacherous item:

You’ll recognise the top half of Tefnut’s snake sandwich; the loaf of bread and the horned viper.  On the face of things, this group should be pronounced tef, but in fact it’s the word ‘it, it, father.  Other versions of the word have the inital ‘i written out in full, but ‘i is a semi-vowel (a vowel with some of the force of a consonant) and we know the Egyptians placed greater emphasis on writing down the consonants than on writing vowels, so they often left out the ‘i of ‘it.  The viper in this case is not the letter f but a determinative  – a soundless symbol put in to show what kind of word this is – whose significance is obscure.

And so to the final group of hieroglyphs in Geb’s title:

We’ve seen them all before:  the temple flagpole representing the sound ntr, the seated god determinative; the loaf of bread for the letter t and the three short strokes denoting the plural ending w, the whole lot reading ntrw, netjeru, gods.  Strictly speaking, the letter t shouldn’t be there.  As we know, it’s a feminine ending, which might suggest that Geb is claiming only to be the father of the goddesses, which would not do him justice.  We know he was not exactly a champion of female rights, so we can’t take this as evidence of positive discrimination in the workplace.  I think it’s probably crept in there because the similar title God’s Father, found in the titles of certain high-ranking Egyptian nobles and possibly meaning King’s Father-in Law, was often written with the flagpole sign followed by the loaf of bread from ‘it, father, and the scribe just kept on going because he was so used to writing that title, even though he’d already written the word for father.

But enough of these bureaucratic technicalities.  Geb was the third patriarch in the family firm.  Why did he claim to be the father of the gods?  What was so special about his divine kids?  Well, let’s meet the gods’ mother, first, and after that we’ll find out.

March 25, 2010

What Kind of God Do You Think You Are? Geb (1)

The first generation in a successful family firm has made its way from the bottom to the top.  The old man’s had it tough, and tough is character forming.  The second generation may have been born into affluence, but they’ve been brought up by a Dad who knows how lucky they are and never lets them forget it.  So the kids feel all the responsibility of getting the fruits of Dad’s labour on a plate.  The trouble always starts with the third generation.  The grandkids are spoiled rotten.  They’re ungrateful, arrogant brats – or worse.

Look at this family portrait:

You’ll recognise the fine, upstanding figure in the middle immediately; that’s Shu.  Ignore the ram-headed characters; on either side of Shu; they don’t concern us in this dynastic history.  The other two figures are Shu’s children, Geb and Nut and, like many a Dad then and now, he’s having to keep them apart.

That’s Shu and Tefnut’s boy, Geb, on the bottom, lying at Shu’s feet.  Geb was the god of the earth, so that’s a very good place for him to lie.  The Nile rippled the length of his naked torso, which is often coloured green to represent the fertile vegetation of the Nile Valley.  In fact, Geb was so fertile that barley sprouted from his ribcage.  He sounds quite attractive, doesn’t he?

However, beneath many a lush exterior lurks a far less enticing interior, and it was certainly better to stop at the surface of Geb than to gain a more intimate acquaintance with what went on underneath.  For the deceased Egyptian, buried in the soil of Geb, he was a malevolent imprisoner.  Sound like any of your board?  Read on…

You’ll notice that Geb’s mother Tefnut is not in the family portrait, even though Shu had left her behind as regent when he retired to the heavens following the rebellion in the company ranks.  The ugly truth is that, when Shu retired, Geb sexually abused his own mother Tefnut, and tried to seize his father’s crown.  You can’t blame her for not turning up for the photoshoot. 

The incestuous rape of Tefnut was probably just another way of Geb usurping his father’s position.  Geb’s real design was on the crown.

When Geb tried to steal Shu’s crown, he came with a crowd of supporters and yes-men to take it from the casket in which it lay.  As soon as he lifted the lid, the sacred cobra which sat on the King’s brow shot out spitting fire, killed his whole entourage and injured Geb himself.  Well, you know what vicious threshold guardians these bosses’ secretaries can be.

The immediate result of Geb’s attempt to steal Shu’s crown was a badly burned hand which needed specialist treatment from the sun god, Re.  However, there was a nine-day stormy period when the company was in crisis and no-one seems to have been in charge.  When, finally, order was restored, guess what?  The thieving, incestuous rapist Geb was crowned King in Shu’s place.  We’ve all seen the crown go to the undeserving.  And it makes you suspect that Geb may have had something to do with the original rebellion.

Deserving or not, the ancient Egyptian throne came to be knows as the throne of Geb, and the Egyptian King himself was known as the heir of Geb, so Geb was pretty good at rebranding.  The floor of a temple, or of the embalming house, was regarded as Geb.  The bedrock of the company – or maybe just a pile of dirt.

March 21, 2010

What Kind of God Do You Think You Are? Tefnut (2)

Time to run our fingers down Tefnut’s nameplate now.  Here it is:

Tfnwt nbt pt   Tefnut nebet pet   Tefnut, Lady of Heaven.  Let’s look at her name first:

As you can see, her name – if you forget about the unspoken determinative at the end for a minute – begins and ends with our old favourite the loaf of bread letter t, which I suppose makes it a sandwich.  And what’s the filling?  The horned viper letter f and the water pot nw, both of which we’ve had before.  Not everyone’s choice of a packed lunch, perhaps, although snake is supposed to taste like chicken.

The determinative is new, though, and no, it’s not the discarded sandwich wrapper.  It’s a cursive writing of another serpent hieroglyph:

This one is a (non-horned) cobra, and was often used as a determinative for the name of a goddess, especially if the goddess in question were a snake goddess like Wadjet, the cobra goddess who adorned the King’s forehead.  But other goddesses could use it as well.  Tefnut was a lioness rather than a cobra, but her Dad Atum was the original giant serpent, so I suppose she felt entitled.  And she ate those little horned vipers for lunch.

The cobra determinative is tricky to draw, but it can be done.  You may want to start with a little flat head, like a sock puppet looking straight ahead.  Then you can make the wide sweep of the hood, tapering down to the narrow body; turn and continue horizontally, then make a downturn for the tail.  The you can add a loop in each “elbow” to suggest the coils.

Here’s one doing some textbook rearing:

You’d need a whole row of baguettes to make a sandwich out of that.

Tefnut’s title, nbt pt, starts with a familiar object: 

the basket hieroglyph nb, neb , Lord, which should really be followed by a t in Tefnut’s case, to make it the feminine nbt, nebet, Lady, but the scribe hasn’t put it in. Well, you can see he was in a hurry from his cobra.  The group of three signs underneath the basket is this one: 

pt, pet, the sky or heaven.  The first two symbols are familiar; you’ll remember from Office Hieroglyphs the stool made of reed matting which represents the letter p.  The scribe in Tefnut’s case has abbreviated it to three short strokes, which was quite common in cursive hieroglyphs, but I recommend you draw it as a square.  And there’s yet another loaf of bread t.  The rectangle with two downward-pointing corners is the sky symbol.  You can see it painted blue on the top of this stela, although the artist has had to bend it around to fit the curved top:

Bendy or not, it gives the sun disk somewhere to hang.

The sky had a particular significance for Tefnut, as we’ll find out when we meet her and Shu’s children.  In the meantime, just remember:  however heavenly the chairman’s daughter, if she invites you to lunch, take your own sandwiches.

 

March 20, 2010

What Kind of God Do You Think You are? Tefnut (1)

If twins are born around midnight, the delivery room staff will do everything they can to ensure that they have the same birthday.  I’d obviously never make it as a midwife, as it’s almost a month since my last post, and Shu’s twin sister Tefnut is only now putting in an appearance.  Sorry, kids.

Never mind, I’ve whipped her out, slapped her bottom, and here she is:

What can I tell you about Atum’s bouncing baby girl?  Well, even though she had the head of a lioness, she’s the spitting image of her Dad:  whereas Atum sneezed Shu into existence, he spat out the goddess Tefnut; the word tef in ancient Egyptian meant to spit. 

As you can tell, Shu and Tefnut were not identical twins.  As the god of air, Shu was a pretty dry character.  Tefnut, on the other hand, was a bit wet.  She personified moisture, particularly the morning dew.

Opposites attract and, let’s face it, there wasn’t much competition.  Atum had had no mate, but Shu and Tefnut paired off immediately in a brother-sister marriage.  At least that way, Atum was able to keep the business in the family. In due course, they had children of their own; we’ll come on to them later. 

As with many a good Mum, it was not only Tefnut’s own children who benefited from her mothering; other kids on the block came in for some tlc, too.  One of her jobs, for example, was occasionally to cleanse the King of his impurities.  She could be strict, though, and always sided with Shu when it came to discipline, even joining him in his fiery torture activities in the netherworld. 

Shu clearly trusted Tefnut absolutely.  After the rebellion which led to Shu and Tefnut’s palace being sacked, Shu and his entourage retired to the penthouse office in the sky after defeating the invaders and left Tefnut on earth in the ground-floor boardroom as regent.  If only the kids had turned out ok, everything might have been different, but you know how even well brought up offspring from stable, loving families can sometimes turn out to be problem children…  But that’s another story.

February 26, 2010

What Kind of God Do You Think You Are? Shu (3)

So, we’re running our fingers across Shu’s office nameplate:

 

Our tongues protruding slightly, our breath misting up the polished brass,   we’ve traced the contours of his name, and are now sliding our fingers down the two stacked hieroglyphs of his title:

  sa Ra son of Re.

What?  Son of whom?  You just told us Shu was the son of Atum, and now you’re telling us he’s the son of Re?

Well, yes.  The thing about ancient Egyptian gods was that many of them had their own cult centres in provincial cities the length and – at least in the Delta – the breadth of Egypt.  In their own temples in their own cities, as far as they and their priests and citizens were concerned, they were the most important god around.  Several of them, not just Atum, claimed to be the creator god, and got put at the top of the family tree.  Whoever painted and captioned this particular family portrait obviously had it in his head that Re was the creator god and father of Shu, even though he’d drawn Atum sitting in front of him.  

More than one creator god – OK, we can understand that.  Every company chairman is the supreme god in his own universe.  As far as the bosses of Pepsi and Coke are concerned, there’s only one cola in the world.  So who is this Re, then?  I’m sure we’ve met him before; he’s the sun god known to the Victorians and thence to Hollywood producers as Ra, but to most Egyptologists as Re.  We’ll come back to him some other time.

Let’s look at the hieroglyphs.  The first one looks like an egg, you draw it like an egg and by golly it is an egg – a goose egg, in fact.  Here’s a picture of one, in case you don’t know what an egg looks like:

The egg  symbol in this case writes the word s3, sa, son.  Just draw it at an angle, pointing the sharp end towards the beginning of the sentence.  The second hieroglyph, a circle with a dot in it, is the standard hieroglyph for the sun and encapsulates the name of the god Rc, Ra, Re.  (It’s also possible that the mysterious and superfluous circle in the name of the god which we saw in the last post is an abortive attempt at a sun disk, as there was a word shu meaning sun.)  If you don’t know what the sun looks like, here it is:

There’s no dot in the middle that I can see, and I’m not sure what that was about.  But if the chairman’s son says the sun has a dot in the middle, it’s probably not a good idea to disagree.

February 24, 2010

What Kind of God Do you Think You Are? Shu (2)

Now we’ve perused Shu’s biography and CV, let’s take a closer look at his name and title.  Here he is in close-up, with his nameplate in front of him:

The hieroglyphs are quite cursive or simplified, but they are still (mostly)recognisable.  This group spells the god’s name:

 

We haven’t had Shu’s tall, curling ostrich feather hieroglyph before.  Here’s a real one:

The feather hieroglyph is a biliteral, and was pronounced shu.  Old Office Hieroglyphs hands will spot that the quail chick hieroglyph, which we have seen before, is only reinforcing the -w sound.

I must confess that I am not entirely certain what the round sign between the feather and the chick on the papyrus may be.  Some of the ink has been lost at this spot, as you can see from the fading of the baseline on which the chick stands, compared with other chicks in the same papyrus.  There’s no real need for a hieroglyph here at all.  It may be that the scribe was attracted by Shu’s association with sunlight to put in this determinative of the rays of the sun:

  It does look as though there’s the beginning of some kind of addition to the circle (if it is a circle) on the right hand side. 

If it is just a circle, then the scribe may have put it in because he was thinking of a similar word, seshu,  meaning ring, and put the ring hieroglyph in as well. 

Or then again, maybe not.  If anyone has any suggestions – or knows what it is – please let me know.

We’ll look at his title next time.

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